the deconstruction of a myth
Mozart in Reverse
0009-0003-4067-9222In the introduction to Mozart’s biography, penned by Constanze Mozart’s second husband, Nissen, it is surprisingly asserted that it’s preferable to conceal the truth, lest Mozart’s image be tarnished.
One does not want, nor can one publicly show their hero as he presented himself in the shadow of privacy; if he could be questioned, he himself would hardly admit it. He was and remains the master of his words, which he could have left unwritten and which he only wrote for the person with whom he wanted to confide. He had weaknesses, shortcomings, which he partly improved later and which one will not have the occasion to reveal. Through the whole truth, his fame, his esteem, and the impression of his works may be damaged.
Ultimately, we don’t believe in hiding the truth, and so we let the primary sources speak.
Who We Are
MozartrazoM is a project by musicologists Luca Bianchini and Anna Trombetta.
The site aims to challenge the traditional narratives surrounding Mozart and his family, offering a critical and often controversial perspective that contrasts with the mainstream glorification of the composer.
In addition, these pages also host some of the finest musicological and critical contributions from other authors who refuse to tell fairy tales and are dedicated to seeking the truth by rigorously investigating the sources.
L.Bianchini & A.Trombetta
Our Books
With a meticulous approach, these books delve deep into investigation, rejecting hearsay. Sources are meticulously verified and critically examined, particularly primary sources, which undergo rigorous scrutiny and evaluation.
Latest Articles
Selected Research Papers on Mozart
Documentation of Academic Reception and Peer Review of “Mozart. The Fall of the Gods”University adoptions, peer-reviewed evaluations, and the academic debate surrounding Mozart. La caduta degli dei.
(2017–2018, with materials from Ca’ Foscari and Philomusica)
Enlightenment on the Edge: Mozart, Goethe, Mayr, and the IlluminatiNew discoveries on Mozart, Goethe, Mayr, and musical Enlightenment, with a focus on secret societies and cultural propaganda.
(Including The Magic Flute, Enlightenment literature and music)
Mozart’s So-Called Thematic Catalogue: Forensic Evidence of a Posthumous ForgeryForensic and historical analysis of Mozart’s so-called thematic catalogue: documentary evidence, ink studies, and handwriting comparison.
(Full research version – as referenced in IGS2023 proceedings)
A Questionable Catalogue — Poster (IGS2023, Évora)Visual summary and methodology of the forensic analysis of Mozart’s Verzeichnüss aller meiner Werke, presented at IGS2023.
(Poster session, Évora 2023)
A Questionable Catalogue — Extended Abstract (IGS2023, Évora)Official extended abstract, summarizing the critical study and authentication techniques on Mozart’s manuscripts.
(IGS2023, Évora – October 2023)
Blog
Explore the flaws, contradictions, and lesser-known truths behind one of history’s most celebrated composers.
Mozart’s K 73A: A Mystery Wrapped in Ambiguity
K.143 is a prime example of how Mozart scholarship has turned uncertainty into myth. With no definitive evidence of authorship, date, or purpose, this uninspired recitative and aria in G major likely originated elsewhere. Is it time to admit this is not Mozart’s work at all?
A Farce of Honour in Mozart’s Time
By the time Wolfgang Amadeus Mozart received the Speron d’Oro, the once esteemed honour had become a laughable trinket, awarded through networking and influence rather than merit. Far from reflecting his musical genius, the title, shared with figures like Casanova, symbolised ridicule rather than respect.
The Legend of Mozart’s Miserere
The enduring popularity of the narrative surrounding Mozart’s Miserere highlights the allure of the prodigy myth, but as we peel back the layers, we uncover a more nuanced picture of his life and the musical landscape of the time. The reality often contrasts sharply with the romanticized tales that have shaped our understanding of his genius.
Rediscovering Musical Roots: The World Premiere of Gasparini and Mysliveček
This December, history will come alive as the Camerata Rousseau unveils forgotten treasures by Quirino Gasparini and Josef Mysliveček. These premieres not only celebrate their artistry but also reveal the untold influence of Gasparini on Mozart’s Mitridate re di Ponto. A pivotal event for anyone passionate about rediscovering music history.
The Curious Case of Mozart’s Phantom Sonata
In a striking case of artistic misattribution, the Musikwissenschaft has rediscovered Mozart through a portrait, attributing a dubious composition to him based solely on a score’s presence. One has to wonder: is this music really Mozart’s, or just a figment of our collective imagination?
The Illusion of Canonic Mastery
This post explores the simplistic nature of Mozart’s Kyrie K.89, revealing the truth behind his early canonic compositions and their implications on his perceived genius.
Events
Discover the latest interviews, talks, and behind-the-scenes insights into the untold story of Mozart.
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In the Spotlight
Are you ready to meet the real Mozart? Our videos, like our posts, will take you on a journey of discovery
into his life and works, without censorship or idealisation.
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What Experts Say
Martin Jarvis
professor
I am delighted that our research has provided evidence to support the proposition, made by Luca Bianchini and Anna Trombetta, that the Thematic Catalogue is not what it purports to be; we have concluded that it is a counterfeit document.
Alberto Basso
musicologist
In this field, driven by the enthusiasm of those who explore new worlds and are aware of the uncommon value of their work, the discoverers of that score, Anna Trombetta and Luca Bianchini, embarked on a broad-ranging research journey.
Edoardo Catemario
concert artist
With Mozart: The Fall of the Gods, you have completely changed my way of thinking
Roberto Piana
professor
What a fantastic evening! I was once again impressed by the deep expertise of Luca Bianchini and Anna Trombetta, and by their remarkable ability to clarify and simplify some of the most delicate and complex aspects of the Mozart story.
Roberto Piana
professor
I consider Bianchini and Trombetta among the most skilled and courageous truth-seekers in the field.
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